Back in November 2009, I was getting ready to attend the Montreal International Games Summit, and I panicked — it was my first major event as a member of the press, and I had no way to record an interview. This was a problem because I was scheduled to talk with Yoichi Wada, then president of Square Enix, along with several other notable industry people. So I rushed to Radio Shack and picked the cheapest voice recorder I could find, a little grey rectangle made by RCA that was locked up in a glass display case. I have no idea what model it is, but it went on to follow me through my entire professional career to date — now, nearly 13 years later, it’s finally being retired.
I hung on to that gadget for one main reason: I trusted it. The RCA recorder didn’t have any especially notable features; the sound quality was just OK, and it was actually pretty annoying having to keep a bunch of AAA batteries on deck. But I’ve always been paranoid about losing an interview and wasting both my time and — even worse — that of someone who agreed to talk to me for a story. So, as long as the recorder worked, I had no real reason to replace it. And it always worked. Even when the “erase” button fell off, I stuck by it. But earlier this month, while attending Summer Game Fest, I came to a sad conclusion: the rewind button didn’t function, which pushed the recorder past the point of usefulness.
Shigeru Miyamoto ahead of the launch of Super Mario Run in 2016 Photo: Amelia Holowaty Krales / The Verge
I took it with me to many iterations of E3 in Los Angeles in order to report on the state of the Japanese game industry, explore Nintendo’s plans for the future, and try to understand Phil Spencer’s philosophy for the Xbox. It was in my hands in 2019 as I tried to keep a straight face while asking Nintendo veterans what a gooey version of Luigi would taste like. It recorded Yoko Taro speaking without his iconic mask on. I was lucky enough to talk to the key minds behind almost all of my favorite games as a child, whether it was Super Mario, Metroid, God of War, Devil May Cry, Monster Hunter, Dragon Quest, or Final Fantasy. Any time I traveled to an event or studio or even just went for coffee with someone from the entertainment industry, I felt safe knowing I had that RCA recorder in my pocket, ready to go.
It’s not clear when I’ll be going back to another in-person event, so I have time to decide what’s next. It’s not easy replacing a steady companion of more than a decade. I know I won’t be using my phone to record interviews; again, I’m paranoid, and I’d much prefer something simple and straightforward so that a dead battery or software update doesn’t mess up an interview. But I also love the idea of a single-purpose device. The RCA recorder is something I associate completely with the act of conducting an interview, a key part of my job, and as it turns out, that means that it’s become an object imbued with memories. If I’m lucky, I’ll find something that’ll help me capture even more.
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